Willi Altendorfer’s musical career started in the year 1971 in the “Galeriekeller” in Rosenheim, which was at that time a beyond the regionals borders known location beneath
Rosenheim’s art gallery. Numerous bands had their practice rooms in the “Galeriekeller”.
After various performances in different constellations WA engaged in the band “Splits”, in which the cream of Rosenheim’s rock scene was unified. In the end of a series
of gigs “Splits” performed a memorable concert in the “Kolpinghaus” in Rosenheim. This performance provided them access to higher stages of the rock scene.
Unfortunately the band split, so WA decided to found his own constellation in 1998: The original “Do Drop In” also consisted of regional popular musicians, like for example Pit Dörr,
Andi Reichhelm, “Thade” Weindl and others. Apart from playing magnificent rock music, social and political commitment was also a major aim of the band, expressed by the provocative
lyrics written by WA. The live recorded „Children in the Streets“,
is only one of many examples for the band’s attitude. The song is about the sad fate of street kids in Rio de Janeiro, who are chased by killers, payed by the rich.
CHILDREN IN THE STREETS
Why do they hit me when i`m falling
Why do they hurt me,
When they don`t understand
Nobody hears me when i`m calling
The night is cold
My freezing can`t come to end
Tell me why my little body is broken
Tell me why my little mind will be stroken
Tell me why
I got my tombstone in the gutter
They were a lot
And the chase was too long
They kill for pleasure and my suffer
I can`defense my hands are to small for a gun
Tell me why my little body is broken
Tell me why my little mind will be stroken
Tell me why
Five weeks before the first gig of the band in 1994, which was supposed to be a big open air, unfortunately the bass player of "DO DROP IN" through no fault of his own had to leave the band.
This incident was the trigger for WA to leave the active band business and to found his studio project “DO DROP IN” in the same year.
The meaning of “DO DROP IN” describes the idea of the concept as well. The fact that WA produces a wide range of music, motivates many recognized local musicians to drop
in and out of his studio in Rosenheim. Depending on the musical variety they contribute in different projects (see discography).
The original studio orchestration of “DO DROP IN” made it on to the second MIR-CD with their first song “Open the Door”.
Original orchestration studio project:
o.l. Chris Kodalik (Vocals), Astrid Mende (Percussion),
Nigel Bletcher (Bass), Willi Altendorfer (Guitar, Music, Arrangement)
When WA got called by Sebastian Walter to play live on a song contest, there was an exception of the “DO DROP IN” concept in 1997. WA succeeded in assembling a seven-person
band and composing a song within two weeks and in presenting it live with large success at an open air concert with 5000 listeners. The song
„Rainmaker“ became legendary and it is not advisable to play it
on a sunny period, except you need some rain for your garden.
RAINMAKER
Near the storm before the rain is coming
and the thunder in the sky
Heavy clouds are brewing heavy people
and the weathermen are wondering why
They call him Rainmaker, Rainmaker
Rain is fallin on the dry land
We should better leave before
It will cover all we pray for
No one seen him anymore
They call him Rainmaker, Rainmaker ...
See the man. Look what he`s doing
Tell me what he has done
Sending power to the unknown forces start to run
Near the storm before the rain is coming
and the thunder in the sky
Heavy clouds are brewing heavy people
and the weathermen are wondering why
RAINMAKER:
Orchestration of „Rainmaker“
The band in the act of creation
Several scouts of big promoters of nationwide concerts called in consequence of this successful performance. But WA rejected all the
offers and returned to his studio project, which he runs till this day.